Showing posts with label Play at university of Hyderabad. Show all posts
Showing posts with label Play at university of Hyderabad. Show all posts

Wednesday, 25 January 2012

Prem Gali Ati Sankaree...








We, the Avartan Theater Group, University of Hyderabad performing a play on 29thJanuary 2012, Sunday for the students and whole campus community. As part of the groups’ activity we are doing it which will be acted by the students only. The play is being performed under the patronage of Student Union, University of Hyderabad primarily aiming to develop and improvise student personalities through theater. Thus it will be really fascinating and useful for the students. The programme will be at DST auditorium on the evening of 29th January; Sunday 6 PM to 7.30 PM...Please come...

Sunday, 23 October 2011

Godo Aaya Kya, at NIFT, Hyderabad...


 

Avartan Theatre

Presents…

Godot Aaya Kya (Waiting for Godot)




Date & Time: 23 October 2011, Sunday, 7 PM

Venue: NIFT Auditorium, NIFT, Hitec City, Madhapur, Hyderabad, India

Adaptation, Concept, Design and Direction: Dr. Satyabrata Rout
Ticket:  200INR
Please do come, encourage us and enjoy the play

Thanks and regards…
Avartan Theatre, University of Hyderabad, Hyderabad, India
Contacts: 09494242645/09959807901

Sunday, 2 October 2011

Godo Aaya Kya.../Waiting for Godot...by Avaratan Theatre, Hyderabad...


This world classic play originally written by Spanish playwright Samuel Beckett has succeeded in establishing the trend of Theatre of Absurd in the world dramatic literature. Two people are waiting for “Godot” under a tree on a road side. They wait, wait and wait…. And the play finished. The play speaks nothing, nor does it pass any social moral value…
But within that nothingness the truth of our life unfolds. Like Vladimir and Estragon in the play we all are definitely waiting for somebody in our life; for a ray of hope, otherwise we can’t survive. This Hindi version of ‘Waiting for Godot’ redefines the meaning of human existence and tries to search for a deeper meaning of life. Our production gives emphasis on the hidden layers of human relationship and tries to search for a GODOT who is nowhere but within our own self. Beckett's Waiting for Godot is not a play on waiting for someone; it is time to know your own self while waiting for no one. The famous absurd play in Indian context in Hindi with lots of changes...



Cast:


Vladimir: Dr. Satyabrata Rout,
Estragon: Vasudev Venketraman,
Pozzo: Shatarupa Bhattacharya
Lucky: Avdesh Jha,
The Director: Mathyu,
Assistant Director: Abu Saleh

Credit:
Set /Light design: Smruti Ranjan Biswal,
Music: Aditi Chaudhury,
Costumes: Methyu, Abu Saleh

Original English Script: Samuel Beckett

Adaptation, Concept, Design and Direction
SATYABRATA ROUT

Wednesday, 28 September 2011

Ek Kahani Aur Bhi...


University of Hyderabad
Avartan Theatre Ensemble & Department of Economics
Presents...
Ek Kahani Aur Bhi...
(A Play in Hindi & Telugu based on Harishankar Parsai’s Stories and Baba Nagarjuna’s Poetries)
Script, Design & Direction: Avdhesh Jha
Venue: B R Ambedkar Auditorium, University of Hyderabad
Date: 17 March, 2011, Time: 6.30 PM


Based on Harishankar Parsai’s Stories Bholaram Ka Jeev & Hum Bihar Se Chunav Lad Rahe Hain and Baba Nagarjuna’s Poetry Chandu Maine Sapna Dekha & Aaye Din Bahar Ke. This play is a collage work of experiences that one goes through while reading these text. The theatre treatment given to the play is contemporary one.
We lived in a world where cynicism and hypocrisy has crossed its limits. Indian Political System has failed to address the pressing issues of ‘Aam Aadmi’. Across the party line, the slogans are merely rhetorical. The questions which this play thrives to ask is can we have another set of politics which is derived by humanistic values and principles? The answer must be given by the people. Failed system perpetuate themselves, where even godly figures have failed to address the vary issues on the basis of which they try to liberate human beings from the clutches of misery. It is a black comedy in the Indian context.
The message of the play is very clear and loud, that humanity deserves a better political establishment and institutions. Political ideologies restrict human critical thinking and it acts as bondage. Dogmas can’t solve the problems of the world because it is not the way to solve the problems. Certain fixed agendas decide the way, the life goes on in an attempt to get rid of dogmas, and it only breeds more dogmas. In short, the concept of Dogma revolves in a cyclic order.
The medium of play is unique one in which the presentations of different characters, movements, posters and style are like colourful Flower Vass. It represents the colours of Bihari, Bengali, Deccani, Marathi and Malayalam Slang and dialects of Saurastry and Bhagely. The presentation style reflects the entirety of the play.



CAST
Harishankar: G. Raju
Yamraj, Media Person & Bade Sahab: Vinayak Kale
Yamdoot, Congress Spokes Person & Marxist: Abu Saleh
Narad: S. Pramode
Lord Krishna: Zikrullah Khan
Professor and Sanghi: K. Suresh
Pujari, Congress Member & Bholaram’s Son: Venkatchalapati
Congress & Bahujan President: Chandini P. C. Senan
Chitragupt, Socialist, Common Man & Peon: Jitendra Kumar
Bholaram’s Daughter: Nitheen Kaperi
Bholaram’s Wife: Kalyani Mishra
Street Leaders: Chandini, Suresh & Abu Saleh
Public: Jitendra Kumar, Nitheen Kaperi & Kalyani Mishra
CREDITS
Set & Properties: Vinayak Kale, Chandini & Raju
Costume: Kalyani, Nitheen & Jitendra
Music: Shyam Rao & Shrikant
Make Up: Venkat, Suresh & Pramode.
Posters and Brochure: Chandini, Aditi & Abu Saleh
Chorography: Vasudev & Avdhesh
Stage Manager: Pooja Lucky
Voiceovers: Avdhesh & Team.
Script, Design & Direction: Avdhesh Jha
Acknowledgement: Department of Economics, School of Social Sciences & Avartan Theatre Ensemble Group, University of Hyderabad.
Contact: 09951163400/09494242645
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